The founders of Tipasa (as Tipaza was known through the Roman era) obviously had a watch for aesthetics. The town rolls gently downhill through pine trees to some small beach along with a blue silvered sea. It's this pure beauty, approximately the honey-toned sandstone walls, the amphitheatre where naval battles were re-enacted as well as the remnants of markets where fish were gutted and sold, that in some way makes Tipasa jump out as one of North Africa's finest Roman sites.
After entering your website you come presently to an amphitheatre, which will have been several entertainment centres in the ancient town. There isn’t much left in the surrounding structure, even so the oval walls with the arena still describe the location where, inside 4th and 5th centuries, gladiator fights and naval battles were held. Just past the amphitheatre the way leads to for the central point with the town, the spot that the two main streets, the paved decumanus and cardo maximus, join. Follow the decumanus on the left and you'll come for the other place of entertainment, the theatre. This is also much ruined, even so the props that supported activity is are there, along with the slope that's once covered with seating blocks.
North of here - head straight to the sea - there's an area manufactured by Christians. The religious complex here includes two basilica, tombs and baths, all of these can be easily identified. The grand basilica was the biggest Christian building in North Africa if it was finished within the 4th century. Return back on the shoreline. The middle of this cove was about large villas and bath complexes, several of which still have mosaics for the floors. The house for the centre, within the cardo maximus, was the Villa of Frescoes, an unusually large house of 1000 sq metres built for the height of Tipasa’s prosperity, from the 2nd century AD.